Introducing: Tim Totani...

Tim Totani is a singer and songwriter from McAlester, Oklahoma. His style is in the country/rock tradition of Bob Seger and John Mellencamp, and his new EP Back Home was released just last month. We’d like to thank Mr. Totani for taking a few minutes to answer some questions for us here at Musebreak. Musebreak: First of all, tell us a little about yourself. What is your musical background? How did you get started? Tim Totani: I grew up around music from my mom singing to me as a little boy to watching the band play at church. But I didn’t get started playing until junior high school where my music director John Wilcox influenced my passion for playing the most. MB: I’m assuming you play guitar. Do you play any other instruments? What models do you use, and what’s your favorite? TT: I do play guitar, and I’ve played many instruments such as violin, cello, mandolin, bass, drums, and piano. Recently, piano is probably my favorite. I play a Taylor acoustic guitar. MB: What is your process for writing a song? What comes first, the lyrics or the music? TT: When writing a song the process varies. Some days I have lyrics that pop in my head first that I write music for, and other time the music comes first. MB: I mentioned Seger and Mellencamp in the intro, which to my ear are the most stylistically similar acts to your work. What do you consider the most similar? What musicians do you go to for inspiration? TT: I have been compared to Brantley Gilbert on many occasions, and I could see that. And I listen to a lot of artist for inspiration such as Brantley, Florida Georgia Line, Luke Bryan, Eli Young...

Album Review: Kenny Rogers’ You Can’t Make Old Friends...

The new solo album from Kenny Rogers has just been released, and Kenny shows us that he is not someone to rest on his laurels. This is a diverse, sometimes challenging, collection of songs that has the potential of being a big hit. The title track, “You Can’t Make Old Friends”, is a duet with Dolly Parton. This song is the only concession that Rogers makes to his age and history, and he makes it with one of his most popular partners. Dolly sounds slightly huskier now than she did when they recorded “Islands in the Stream” thirty years ago, but both performers are still very capable. This is going to be the first single from this album, but that’s largely for marketing purposes. There are stronger tracks to come. “All I Need Is One” is a contemporary, up-beat love song with a good hook. It’s an easy song to remember, and an easy song to like. “You Had to Be There” is Kenny Rogers on familiar ground: the storyteller. It tells the tale of an estranged father meeting his imprisoned son, and touches on themes of parenthood and responsibility. Unfortunately, it’s not quite as compelling as earlier Rogers’ stories. The next track is “ ’Merica ”. This is a bluesy patriotic anthem in 6/8. Not really Rogers forte; it would be interesting to see what someone like Michael McDonald or Garth Brooks could do with a song like this. Perhaps as a complete about face, we are next given “Turn the World Around”. This is a chanted song with a lot of attitude. It’s rather dark, and addresses the ills of society. This may be the strongest song on the album, and if Warner Bros has enough guts this should be the next...